Susan Ingram is an Professor in the Division of Humanities at York University. Her research focuses on Film, Literature studies and institutions of European cultural modernity.
Research Interests: The institutions of European cultural modernity, including: European film, Fashion, Auto/biography, Comparative literature and Translation studies.
| Institution: | York University |
| Fields of Expertise: | Cultural Memory and Policy |
| Research groups: | Memory Politics |
| Email: | singram@yorku.ca |
| Media outreach: | Yes |
| Languages: | English, German |
| Publications: | Ingram, Susan. Siting Futurity: The “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna. punctum books, 2020, https://punctumbooks.com/titles/siting-futurity-the-feel-good-tactical-radicalism-of-contemporary-culture-in-and-around-vienna/. Ingram, Susan, and Markus Reisenleitner. Wiener Chic: A Locational History of Vienna Fashion. Intellect Books, 2013, https://press.uchicago.edu/ucp/books/book/distributed/W/bo18074976.html. Ingram, Susan, and Katrina Sark. Berliner Chic: A Locational History of Berlin Fashion. Intellect Books, 2011, https://press.uchicago.edu/ucp/books/book/distributed/B/bo10397137.html. Ingram, Susan. “Translating Affect: David Bowie’s Lazarus in German.” Delos: A Journal of Translation and World Literature, vol. 35, no. 1, 2020, pp. 60–76, doi:10.5744/delos.2020.1006. Ingram, Susan. “Proletenpassion Ff.: Reviving the Ghosts of Red Vienna.” Western Humanities Review, vol. 73, no. 3, 2019, pp. 50–78. Ingram, Susan. “Constellating Stardom, Berlin-Style: Bowie, Christiane F, Hedi Slimane.” Celebrity Studies, vol. 10, no. 1, 2019, pp. 14–24, doi:10.1080/19392397.2018.1559048. Ingram, Susan. “Vancouver Matters: Softening the Glass of Eco-Metropolitanism on the Post-Pacific Rim.” Shifting Grounds: Cultural Tectonics along the Pacific Rim, Universitätsverlag Winter, 2020, pp. 97–108. Ingram, Susan. “Transforming The Outer Harbour: Hogan’s Alley and the Dislocations of Vancouver’s Political Culture.” Transcending Boundaries: Migrations, Dislocations, and Literary Transformations, edited by Eds Igor Mayer et al., Stauffenburg, 2020, pp. 165–178. Ingram, Susan. “The Suspects Wore Bling: Transgressions and Transformations in the Context of L.A. Fashion.” Transgressions/ Transformations: Literature and Beyond, edited by Brigitte Johanna Glaser and Wolfgang Zach, Stauffenburg, 2018, pp. 197–207. Ingram, Susan, and Irene Sywenky. “X Marks the Spot: Literature and Theory as Limit Tests for Comparative Literature in the 21st Century, Canadian Perspectives.” 452*F, vol. 20, 2019, pp. 16–33, http://revistes.ub.edu/index.php/452f/article/view/22563/28626. Ingram, Susan. “Lācis as a Multilingual Ecosophy.” Tusaaji: A Translation Review, vol. 5, no. 5, 2016, pp. 63–81, https://tusaaji.journals.yorku.ca/index.php/tusaaji/article/view/40334. Ingram, Susan. “Creative Thinking on the Conwy: Translated Memories of a Contested Transitional Space.” TranscUlturAl, vol. 8, no. 1, 2016, pp. 134–140, https://ejournals.library.ualberta.ca/index.php/TC/article/view/27706/20631. |
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Reisenleitner, Markus