Charlotte Schallié is an Associate Professor and current Department Chair in the department of Germanic and Slavic Studies at the University of Victoria. Her research interested include post-1945 diasporic and transcultural writing/filmmaking, memory studies, Jewish identity in contemporary cultural discourse, transcultural studies, and Holocaust education.
Her current SSHRC-funded research project —“Narrative Art and Visual Storytelling in Holocaust and Human Rights Education,” develops a new dialogical-reflective pedagogy in Holocaust and Human Rights education fostering broad and deep collaborations and intercultural exchange between researchers, visual artists, Holocaust survivors, librarians, students, and community members in Canada, Germany, Israel, the Netherlands, and the UK. This joint project will supplement and expand current educational materials providing new digital-interactive capabilities for the use of Holocaust-themed graphic novels.
Research Interests: Post-1945 transcultural literature and film (Germany/Switzerland), Theories of spatiality, Jewish identity in contemporary cultural discourse, and Literature/film representing the Shoah
| Institution: | University of Victoria |
| Fields of Expertise: | Cultural Memory and Policy Memory Politics Public History |
| Research groups: | Memory Politics |
| Email: | schallie@uvic.ca |
| Media outreach: | Yes |
| Languages: | English, German |
| Publications: | (with Agnes Hirschi, ed.). Unter Schweizer Schutz. Zeitzeugen berichten. Zurich: Limmat Verlag, 2020. (co-editor with Margrit V. Zinggeler) Globale Heimat.ch. Grenzüberschreitende Begegnungen in der zeitgenössischen Literatur. Zürich: edition 8, 2012. 384 pp. “Hidden in Plain Sight: Post-Holocaust Mnemonic Objects and Material Traces in Arnon Goldfinger’s The Flat(הדירה) . Special Issue on Contemporary Holocaust Film. Holocaust Studies: A Journal of Culture and History. Gerd Bayer, ed. Vol 25 (2019). (with Manuel Meune, and Katrin Mutz, eds.). Stratégies d’écriture en Suisse et aux Antilles De la diglossie affichée aux traces de langues - Revue transatlantique d’études suisses, no. 8/9, 2018/19. 318 pp. (with Dániel Péter Biró). “Studies in Contrast – Notes from the Field.” Narratives of Memory, Migration, and Xenophobia in the European Union and Canada. Helga Hallgrimsdottir and Helga Thorson, editors. University of Victoria ePublishing Services, 2019. “Heterotopische Übersetzungs(spiel)räume in Jason Byrnes Theaterinszenierung von Lukas Bärfuss’ Die Probe/The Test.” Revue transatlantique d’études suisses (November 2013): 121-138. (with Wassilis Kassis) “The Dark Side of the Academy: Antisemitism in Canadian and German Students.” The Journal for the Study of Antisemitism (October 2013): 63-91. “’My Horns Come Out in My Attitude!’ Negotiating Jewish Student Identity and the Politics of Identification in Canada.” Religion and Higher Education in Europe and North America. Ed. Kristin Aune and Jacqueline Stevenson. London and New York: Routledge. 109-122, 2017. “A Place in the Sun: Colonial Entanglements in Lukas Bärfuss’ Hundert Tage and Daniel Goetsch’s Herz aus Sand.” Usable Pasts and Futurities: The Changing Place of Europe in Global Memory Culture. New York: Palgrave MacMillan, 2016. 159-178. “Die Mode verschwindet aus Deutschland. Auswirkungen des Krieges auf die Bekleidungsindustrie.” Zerrissene Fäden. Schlaglichter auf die jüdische Modeindustrie in Deutschland und Österreich. Ed. Roberta Kremer. Göttingen: Steidl, 2013. 163-176. |
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